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Called Greenwood Rising, it’s a museum and cultural center devoted to documenting three nested narratives: the long record of racist violence in the United States the shorter history of a once-thriving African American neighborhood in a city that, for a time, managed to escape that violence and the explosive story of what happened when that violence finally hit. In Tulsa, Okla., a new, truth-telling monument was unveiled. In September, the last, a statue of Robert E. The exhibition (now at the Contemporary Arts Museum, Houston) was installed just blocks from Richmond’s Monument Avenue, a residential thoroughfare once dotted with Jim Crow-era statues of Confederate heroes.
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“The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse,” an engrossing survey of work by 120 Black artists organized by Valerie Cassel Oliver at the Virginia Museum of Fine Arts in Richmond, Va., mined a particularly rich vein of its regional subject through a focus on music: gospel, blues, free-jazz, soul, hip-hop, Mardi Gras marches, all embodied in fabulous visuals. Several of the year’s most ambitious museums were in cities below the Mason-Dixon line. (New York had Medicis and Alice Neel Hans Holbein and the Obamas currently hold court in Los Angeles) But for me, many of the most memorable events were either outside bicoastal centers or in unusual locations and forms within them. After a year of social isolation, a market trend in easy-to-like figure painting had natural appeal, with portrait shows everywhere. Over the summer, museums and galleries rebooted, but with masking and distancing in place. The year 2021 was about recovery - slow, partial, tentative, ongoing - from lockdown. Holland cotter Most Memorable Art and Image-Makers of 2021